Effective Writing Habits

March 30, 2008

Harriet the SpyHarriet the Spy always carried a dog-eared notebook with her, jotting down notes about the people around her — often very invasive, totally inappropriate notes.  And, the young reader is told, this is what will one day make Harriet a great writer.

Like lots of tween girls who are now women my age, I loved this book.  I read it at the beginning of summer vacation between fifth and sixth grades.  Half-way through, I dug up an old spirtal bound notebook that still had most of its pages – from which we can deduce that it was probably my math notebook from the year before — and I started keeping copious notes on the grown-ups around me and sneaking into places I shouldn’t be.  I knew, from the book, not to keep notes about the other kids. 

There were lots of little girls with notebooks back then.  Harriet the Spy was up there with Are You There God, It’s Me, Margaret and Jane Eyre on the reading lists of nerdy young women.  I imagine many of us discovered secrets we wouldn’t have known otherwise.  My brief foray into spying and notebook-keeping lead me to the revelation that my great-uncle’s over-attentive secretary was really his Mistress.  And, in pure Harriet form, Mary Penny Packer became the topic of my first personal essay.  An essay that I was so very proud of, I submitted it as the inevitable ”What I Did On My Summer Vacation” paper at the beginning of sixth grade. 

Thus begun my now well-established pattern of humiliating my mother by not having sense enough to know what you’re not supposed to write about.  Harriet has a lot to answer for, let me tell you!

I long ago gave up the notebook habit.  Actually, I long ago quit being able to read my own handwriting, which somehow completely fell apart once I passed the “ninety words per minute” mark as a typist. 

Once again, though, I hear a real writer suggesting that, if I too want to be a real writer, I should return to my old Harriet-inspired notekeeping ways. I was visiting Kathy Rhodes’ excellent blog, First Draft, and reading about the latest Council for the Written Word fiction workshop, lead by the novelest Darnell Arnoult.  According to Kathy’s recounting of Arnoult’s advice, writer’s should have a ”little notebook you are supposed to keep in your purse or pocket to record all the interesting and unusual details that happen during your days.”

Kathy Rhodes and Darnell Arnoult

I am certain this would make me better at my craft.  I doubt it would make the details of my life more clear, though, because the only thing less likely than my keeping a little notebook full of pithy observations is my being able to find the right little notebook when I sat down to write about an event from years, or even months — okay, my husband says three days — ago.

I have, on my computer, a list of similar writing tips from various sources.  Some are granular:  avoid the words “that,” “while,” and “since;” your first sentence needs to have a hook!, and never use the word “I” except in dialogue.  Others are about process:  make sure you write in a room set aside solely for that, and that your family knows not to disturb you, don’t revise until you’ve written an entire first draft, and never get up from your writing desk until you have at least 2,000 words. It’s a funny list.

I write in my dining room, and my family interupts me with everything from requests to get up and get them something to drink to the dire need to use my computer to check a My Space page and see what BoyX thinks about GirlY.  I have no little notebooks, and I use all the forbidden words — often.  I revise things that I haven’t even had time to sit down and write, changing them around in my head while I make dinner, and rarely have the ending to anything before the beginning is largely set.

And I don’t carry around a notebook.  Although I have been known to leave myself voice memos on my cell phone.  For months, there has been one that says “find a way to use the word ensorcelled.”   I no longer remember what ensorcelled means, or why I thought I should use it.

These lists used to depress me, pointing out all the reasons that I should quit dilly-dallying around with all these words on a page and learn something practical like animal husbandry.  Now I find them funny.  I want to write all the authors who came up with them and say, “Really?  Your family doesn’t come barging in, asking if there is any peanut butter left even though they could damn well open the cabinet and see for themselves that there is not?  That’s so sad!  Does it make you lonely?” 


Choking on the Line…

March 28, 2008

The bench watches in horror...I’m not a consistant sports fan.  During regular seasons–any regular seasons, the sport doesn’t matter–I rarely care.  The one exception is the Coal Bowl, an ill-conceived yearly gridiron brawl between Marshall and WVU.  I watch each year, hoping for one of those freakish underdog-miracles for Marshall, but it hasn’t come.  Maybe next year. 

But once WVU is in a championship game (again, the sport matters not), I am a trash-talking, jumping-off-the-couch-and-shouting-at-the-tv fan.  My father says it’s hypocritical.  I just think the stakes have to be pretty damn high before I can be made to care about a bunch of folk throwing a ball around. 

 Last night, the stakes were high.  It was a heart-breaking game for ‘eers fans.  From the lousy start, to the back-and-forth leads towards the end of the second quarter and through overtime, it was one of those games that wrings every last bit of energy out of even it’s spectators.

 Hardest, perhaps, to swallow is that we lost because we choke on the line every time.  I haven’t bothered to look up the statistics, but we couldnt’ sink a foul shot for love or money.  Like so many things these days, it seems we were defeated not by a lack of flash, but by a failure to grasp the fundamentals.  

So, this morning, I’m catching up on my own.  Heading out for a walk along the trail instead of settling in to read.  Getting serious about spring cleaning.  Getting out my red editing pen and putting on my “kill your darlings” t-shirt. 

Because I don’t want to be standing at the foul line, victory just a throw away, and let everyone know it’s been nothing but flash all along.


Among the Garbage and the Flowers…

March 25, 2008

My daily walk takes me past the encampment of homeless folk who live under the bridge toward the trail-head on Decker’s Creek.  I know their names , or most of them, from my job at the day shelter and am not afraid of them.  The people who are a threat to me, the ones who are still angry at my because I called the cops or kicked them out of Friendship Room for selling drugs or starting fights, live in a bigger camp along the river.  The creek camp is for the older, gentler, quieter folk.  It’s smaller, and has been there longer.  The people who live there are more likely to have a bottle than a pipe, and that seems to make all the difference in the world.

Without a Flower Pot to Piss In

This weekend, as I was walking by, I saw the first daffodils of this spring on the embankment across the trail from where they pitch their tents during the night.  (During the day, when those of us privelaged with houses – and likely to be bothered by those who aren’t –are out walking the trail to work off our over-abundant diets, the tents are broken down and hidden.  I know where, but I won’t tell.)

It was a moment before I noticed the joke of this… the broken piece of drainage pipe laid up against the daffodils like a flowerpot.  I think I know who did it.  There is a man who lives down here who doesn’t speak, and rarely came to Friendship Room.  But when he did come, he often left behind little tableaus of found objects near his seat. A dollar-store bracelette with a broken clasp, the head of a Barbie doll, and used-up lipstick once.  Another time, a pile of sticks arranged artfully into a miniature bonfire, two toy soldiers covered in grime, and the most recent body-count headline from the local paper.

I don’t know why he doesn’t speak.  He nods, and points to things he wants, but he isn’t mute.  I’ve heard him talking to the people who enhabit his own universe, but he will not talk to those of us in this one.

I see his hand in this joke.  It’s been cold, and no matter how many blankets and sleeping bags he’s given, he can’t seem to hold on to any of them and he won’t live indoors.   I’m happy to see he’s made it to another spring.


How Terribly Strange to Be Seventy

March 22, 2008

A portrait of me, painted by Ron Sheppard in 1992Ron will be seventy a week from tomorrow.  Seventy.  There isn’t much left to him but stories and stubborness.  He’s gone so thin it’s hard to remember what he looked like back before age and all those accidents tore him up.  He can barely walk, even with a cane.  Remember how he used to move; so fluid, so quick?  How surprising it was that he had speed even though he was never going anywhere?  Now it takes fifteen minutes to get to the bathroom and back on a good day.

I should be planning a birthday party for him, but I’m not.  We can’t have him and his at the house while Lucy is here… he has no truck with rules and such, and the woman he lives with has a nineteen year old son who would expect to be allowed to drink beer with everyone else.  Even if Lucy weren’t here, I don’t think I’d be able to swallow my middle-aged woman’s common sense long enough to allow that. 

I’ve had a song in my head all week, something by Simon and Garfunkle.

Can you imagine us
Years from today,
Sharing a park bench quietly?
How terribly strange
To be seventy.

And now, one of us is. He can’t hear, but won’t get hearing aids, says he likes it better that way. His hands are palsied, but all he does is talk about how he wants to get the studio back up and running. Soon as there is space, he’s moving into the old folks high rise on Willey Street. Ron. Old. Finally, too old to find a woman to take him in and pay all the bills.

How terribly strange to be seventy…


Echizen Jellyfish and The Idea of Space Travel

March 22, 2008

Giant jellyfish with diverMaybe being a science fiction geek is inevitable if your last name is Einstein, but I am fascinated by the idea of travelling through space.  Or not so much the idea of travelling, as the idea of arriving… of finding entire words full of life.  Why, then, haven’t I learned to SCUBA dive?

 There is nothing more alien within close reach than our own seas.  The moon is a barren rock, and there isn’t much evidence of strangers in strange lands on Mars, either.  But the seas are teeming with the most unexpected and beautiful creatures.  Why aren’t we as fascinated with them as we are with the dinosaurs, with space?  What does it say about our need for fantasy, that we are so much less interested in what is almost within grasp than with what is so far beyond our reach? Echizen jellyfish with divers2

Why isn’t there more deep sea fiction? Is it because it seems such a great defeat, that we still can’t reach the open floor?  Or because the era of the sea monster is gone?  Do things only interest us if they are threatening?

That’s always been the science fiction writer’s dilema… will the aliens, when we finally find them, be friend or foe?  Looking around, it seems doubtful that they will be either.  More likely, they will turn out to be wonderous things who don’t use language as we use language and so, like the Echizen jellyfish, we will know only as beautiful oddities.

 We are strange creatures to imagine that the only intelligence is one that uses words. 


Ground Cherries and Heirloom Tomatoes

March 16, 2008
It’s time to begin planning our garden. This year, in keeping with the idea of a “neighborhood garden,” where we each plant what we grow well, I’m going to focus solely on tomatoes and ground cherries. Last year, both did well, while my eggplant and cucumbers did horribly. The zucchini started strong, but for the second year in a row rotted by mid-June. The only part of our yard with adequate sun is, I’m afraid, nearly wetlands for most of the summer, which is great for the tomatoes and ground cherries, but lousy for everything else.
I’m hoping to do lots and lots of ground cherry starts this year, so if anyone would like to try these in their garden, please just let me know.
One of last year’s best producer was the Cherokee Purple, which has a lovely color and a very sweet flavor. The Speckled Roman also did well, and is truly stunning — like something from Van Gogh’s “The Sower” might have planted. We had an over-abundance of cherry and grape tomatoes, so this year I plan on putting in only one Mexico Midget plant. It’s so prolific, that it produced more than the other three small/tiny varieties we grew last year together. The fruits also hold up better than most, holding up both on the vine and in the fridge for over a week after ripening.
For slicing tomatoes, I haven’t found anything to beat the Gold Medal. I’m planning to triple the number of these plants this year, because I suspect they are also very good for making mild, sundried tomatoes that can be used all year round, and I expect they’ll be a favorite of our neighbors!
All of our seeds come from Seed Savers. At the “Just Foods” dinner, Linda Yoder told me a horrible story. According to Linda, we intentionally targeted seed banks in Iraq, and have since forbidden the distribution of seeds by local farmers in the interest of protecting the “copyrights” of big companies like Monsanto, who have been introducing chemically dependent, genetically engineered seed into an area that has traditionally not been a big market for international agribusiness. My research since “Just Foods” hasn’t turned up much information on this, but if anyone would know this, it’s Linda. It’s really deepened my commitment to heirloom and non-patented seed varieties. The idea that farmers must purchase seed each year, rather than gathering and preserving it from their own stock, is just… well, more than wrong. Muddle-headed, maybe. Or evil. Any more, I find it hard to tell the difference when talking about governmental policy. I’d like to believe we’re just incredibly stupid, since the other choices offer such little hope for a better future.
Peace!
Sarah

Why I Don’t Write Poetry…

March 11, 2008

I was walking along Decker’s Creek trail today and came across a woman speaking angrily into her phone. “There is a rotten deer corspe only a few yards from the trail!” she was saying to someone on the other end. “It’s obviously been here all winter. Your men should have disposed of it months ago!”

She had on expensive walking shoes and carried her cell phone and iPod in a Chanel pouch. Obviously not from around here. I kept walking, but stopped on my way back to grab a few pictures. The spring thaw always unmasks winter’s carnage here in the hills.

The spring deer reminded me of why I don’t write poetry. Here is one of only three poems I’ve let get beyond my grasp; this one written for the Baber Mountain Poultry Read many, many years ago… but never read. We were living on “the farm” that year and never did get a vehicle together that would make the trip.

Hillbilly Love Song – 1993

Baby love, if you was some dead critter by the side of the road,
Festerin’ in the summer sun,
And I was just a lonesome old hound dog walkin’ along that highway,
And I happened upon you there,
Happened upon you rottin’ and stinkin’ in the sun,
I would roll around inside the empty cavity where your heart used to be,
I would roll around until I had your rotten, dead stink all over me…
That’s how much I love you.


One has to imagine the world of poetry will survive without any future contributions from me…

Peace!
Sarah